Eye On Art

Winston Wächter Fine Art's eye on art...as well as a few other things

Susan Dory opening tonight (1/26) from 6-8pm at Winston Wachter NY

Ethan Murrow and Julie Speidel featured in Luxe Magazine

Keith Haring’s last surviving large-scale mural in Australia – Preserve or Restore?

Keith Haring’s last surviving large-scale mural in Australia is stirring up controversy over how best to preserve the imagery. Arts Victoria, the state government art advisors, is recommending moving forward with conservation efforts. However, several vocal protests have surfaced within the art community, the local council and the Keith Haring Foundation who call for the mural to be repainted in accordance with the late artist’s wishes, rather than being preserved in its current state.

The mural was originally painted on a wall of the former Collingwood Technical College in Yarra in 1984. After years of neglect and ware, a serious campaign to prevent the work from fading away began in 2010.  Arts Victoria released a four-part conservation management plan, beginning with but not limited to, researching the materials used by Haring, proper cleaning, selective retouching, and application of a protective coating.

However, other conservation advocates including Julia Gruen, the executive director of the Keith Harring Foundation, would like to see the mural’s vibrancy restored through repainting. They believe that it is more important that the mural conveys Harring’s ideals and original work, rather than preserve his brushstroke. Juliana Engberg, the artistic director of the ACCA, agrees that Haring left clear instructions that his works should be repainted when possible.

While many support the idea of repainting, including Alison Clarke the mayor of Yarra, still some conservators and university consultants voice concerns that the lack of preparation of the wall before the mural was painted and the relative absorbency of the brick may cause any new paint to eventually peel destroying any trace of the original mural. Despite the ongoing debate, Arts Victoria is expected to lodge a permit application with Heritage Victoria shortly so that it can begin the initial conservation work.

Christopher Boffoli featured on West Seattle Blog





Christopher Boffoli & Hiro Yokose opening reception @ WW Seattle

Christopher Boffoli

Hiro Yokose

Shocking case of Artwork Vandalism

In an unusual case of vandalism, a 36-year-old woman, Carmen Tisch, reportedly punched, scratched and rubbed her bare buttocks against a painting worth more than $30 million. The abstract expressionist oil painting “1957-J no.2″ by Clyfford Still was on display at the recently opened Clyfford Still Museum in Denver, Colorado.

Tisch, apparently drunk at the time of the incident, allegedly caused $10,000 worth of damage to the painting.  She was charged with felony criminal mischief and is being held on a $20,000 bond since the incident in late December.

Denver art gallery owner commented that even if the painting is repaired the incident is still damaging to the value of the piece, just having people know what happened.

"1957-J No. 2" by Clyfford Still

Rena Bass Forman (1954-2011)

Rena Bass Forman, Sri Lanka (Indian Ocean), Toned gelatin silver print, 38 x 38 inches

It is with great sadness that Winston Wachter Fine Art announces the passing of one of our artists, photographer Rena Bass Forman. Winston Wachter Fine Art has represented Rena since the gallery was established in the 1990s.

Official obituary below.

Rena Bass Forman, 57, died on November 27, 2011 from complications of a malignant brain tumor.

Born on March 17, 1954, she was the only child of Anne Loewy Bass, a holocaust survivor and Milton Bass, a garment business owner in Manhattan. She grew up in New York City, studying ballet with George Balanchine. Rheumatoid arthritis ended her career. She attended Hofstra University and Rutgers University, earning a Master’s degree in Arts in Education.

In 1978, Rena married Scott Forman. They moved to Massachusetts in 1981 where she worked at the DeCordova Museum for two years. She began to photograph landscapes in 1978. Several of her hand- painted photographs were published in various treatises on the topic. She began shooting medium format black and white, gelatin silver, sepia-toned photographs in the late 1980′s. She has been represented by the Bonni Benrubi Gallery and the Winston Wachter Fine Art gallery since 1991.

She traveled the globe in search of inspiring landscapes. Her bodies of work include images from locales as diverse as the American Southwest, Turkey, Indonesia and Chilean Patagonia to Atlantic Canada, Iceland, Greenland and the Norwegian Archipelago of Svalbard. Her work has been shown and collected widely throughout the United States and Europe.

It is imbued with the timeless atmosphere of diverse and endangered landscapes.

She is survived by her husband, Scott Forman, MD of Piermont, New York, two daughters, Zaria of Brooklyn, Leila, of Cambridge, Massachusetts, and her father, Milton Bass of Tamarac, Florida.